.jpeg "Belgium 1868 Bronze Medal Pastor Dechamps Charles Wiener")
Who Was Charles Wiener?
Born on March 25, 1832, in Venlo, Netherlands, and primarily active in Belgium, Charles Wiener (who passed away on August 15, 1888, in Brussels) was one of the most esteemed Belgian medallists of the 19th century. A member of the illustrious Wiener family—his brothers Jacques (Jacob) and Léopold were also notable medalists—Charles gained recognition for his commemorative and portrait medals, seamlessly integrating artistry, technical proficiency, and cultural significance.
Early Life and
Artistic Training
Family Roots and
Artistic Environment
The
Wiener brothers—Jacques (1815–1899), Léopold (1823–1891), and
Charles—originated from a Jewish-Flemish family that adopted the surname
"Wiener" following the naming reform of 1808. Immersed in art and
engraving, all three brothers embarked on careers as medallists.
Formal Studies and
Mentors
Charles commenced rigorous training at the esteemed Academy of Fine Arts in Brussels, subsequently studying under the renowned French medallist Eugène‑André Oudiné in Paris. His initial instruction established a solid groundwork in classical drawing and relief techniques.
International Career
Path
Charles
Wiener’s professional career traversed Europe, characterized by prominent
positions: 1856–1860 (The Hague): Designated as engraver to the Royal Mint of
the Netherlands. 1860–1864 (London): Acted as Deputy Engraver at the Royal Mint
in London, facilitating access to British commissions. 1864–1867 (Lisbon):
Promoted to Chief Engraver of the Portuguese Mint, leaving his initials "CW"
on Portuguese coins and medals.
After
1867 (Brussels): Returned to his adopted country, collaborating with his
brothers to create Belgian medals, showcase at exhibitions, and obtain esteemed
commissions. Charles Wiener’s Enduring Influence
From
his crucial positions in European mints to the medals that celebrate monarchs,
scientists, and cultural figures, Charles Wiener combined technical proficiency
with a rich narrative. His medals stand as concrete evidence of Belgium's
artistic legacy and the Jewish cultural identity of the 19th century.
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